Intervals are the DNA of music. Master them, and you'll understand why chords sound the way they do and why certain notes "work" together.
An interval is simply the distance between two notes. That's it. When you play two notes—either simultaneously (harmonic interval) or one after another (melodic interval)—the space between them has a name.
Understanding intervals answers questions like:
On guitar, intervals are easy to visualize:
Every interval can be measured in half steps. This makes the guitar wonderfully logical once you understand the pattern.
| Half Steps | Interval Name | Sound/Feel | Song Example |
|---|---|---|---|
| 0 | Unison (same note) | Same pitch | — |
| 1 | Minor 2nd | Tense, dissonant | Jaws theme |
| 2 | Major 2nd | Stepping up | Happy Birthday (first 2 notes) |
| 3 | Minor 3rd | Sad, dark | Greensleeves |
| 4 | Major 3rd | Happy, bright | When the Saints Go Marching In |
| 5 | Perfect 4th | Strong, military | Here Comes the Bride |
| 6 | Tritone (Aug 4th/Dim 5th) | Unstable, devilish | The Simpsons theme |
| 7 | Perfect 5th | Powerful, open | Star Wars theme |
| 8 | Minor 6th | Mysterious | The Entertainer |
| 9 | Major 6th | Warm, nostalgic | NBC chime |
| 10 | Minor 7th | Bluesy, jazzy | Star Trek theme |
| 11 | Major 7th | Dreamy, unresolved | Take On Me (chorus) |
| 12 | Octave | Same note, higher | Somewhere Over the Rainbow |
The unison, 4th, 5th, and octave are called "perfect" intervals. They have a pure, stable, consonant sound. Power chords use the perfect 5th—that's why they work in any context without sounding major or minor.
The 2nd, 3rd, 6th, and 7th come in major and minor versions. Major intervals are one half step larger than their minor counterparts.
The entire difference between a major chord and a minor chord is one half step on the 3rd. That's it! Lower the 3rd by one fret, and any major chord becomes minor.
When you shrink a perfect or minor interval by a half step, it becomes diminished. When you expand a perfect or major interval by a half step, it becomes augmented.
Here's the beautiful thing about guitar: intervals have consistent shapes that work anywhere on the neck (with a slight adjustment for the B string).
When crossing from the G string to the B string, add 1 fret to all shapes. This is because B is tuned a major 3rd above G (instead of a perfect 4th like the other strings).
Every chord is just a stack of intervals:
Scales are defined by their interval patterns:
When you know intervals, you can:
FretTrain's Intervals Mode lets you select a key and toggle individual scale degrees on/off. See exactly how intervals map across the entire fretboard.
Try Interval Mode →The ultimate goal is to hear intervals, not just see them. Here's how to train your ear: